Listen to Lucky

Thanks to Adoor Goplakrishnan for suggesting a new title for my blog. This is not going to be another movie review of his recent film which he has directed. This is just my own observation of 4 different women, who belong to different genres, ethnicity, roots and profiles who are basically striving to push hard and move in their lives. Whenever i walk into one of the famous Indian restaurants which has branches even in UK apart from Chennai, I have observed the way P1 works in the restaurant. (It would be wise on my part to make the references and hide their original names). Basically she is from Poland, her langauage is different, her lifestyle is different, but she needs to survive and compete in this country which is as alien to her as it is to me/ to you. P2 works as a lecturer in one of the tutorial college and she also works in nearby supermarket store. I know her, as she stays as my neighbour and they are also from a hindu country which is marred with violence in the recent year...

What an excellent title (first of all, thanks to Marati director Nishikant Kamat without any english tag lines and titles) for a beautiful (infact, you can say it as a thoughful movie). I was fascinated by the first 4 minutes of the movie where they showed a shot which describes the protagonist's daily routine. There are lot of movies which has projected the heroism of the hero to fight against the system by taking the law in his hands and killing people mercilessly. This movie was quite different in that front. The hero erupts in anger after he is being criticised for his honesty, his loyalty and belief in this system that every single individual has the right to live a decent and calm life in this world. Beautifully set in typical "brahmanal" location on Nanganallur, Sangeetha played the role of "vatsala" with such ease and elan that it reminded me of many vatsalas which i had seen KK Nagar / Pazhaya Mambalam (West Mambalam). Typical middleclass house, cute l...

To spell bharathi's words "Ethanai Kodi Inbam Vaithai Iraiva"....I couldn't control my moments joy of touching and feeling my new Keyboard (Yamaha PSR E403) which i had bought after postponing my purchases and controlling my temptations for the last few years. Postponements were not made bcos of the price/issues surrounding them, but purely on the basis of how am i going to bring that to India (which is still a nightmare). But when i started playing for the first time i enjoyed every moment of the whole night. I had a small session of trying my hand on few songs of Raja (few background scores etc), it was a fun which cannot be described in words, it has to be experienced. My next sessions would be on the christmas day and i am looking forward to it so eagerly. ~Lakshman

Cinema is one of the "C" things which i would appreciate after Cricket/Carnatic Music/Cartoons/Coffee (the list is endless). There are very few people with whom i have shared great discussions with related to movies of World Panorama. Recently, I had a discussion with one of my friends called Venkat Reddy who has a great passion for world cinema. This guy runs a website called 24fps.com (translates as 24 frames per second) and he has been writing reviews of all the films which would be featured in film festivals and works as the special correspondent apart from owning the site. After couple of rounds of drinks on my farewell party, we had a interesting conversation, which started with Rituparno Ghosh's latest english movie and ended comparing Kurosawas to Francois Traffaut. The best part of the conversation moved towards Adoor's Naalu Penngal (4 women - one of the best titles i have picked for my next blog...) and his narration of the episode which featured padmapriya...