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Pichai Patram (Bhikshai Patra)- Lyrics

Absolutely stunned by the philosophical and lyrical beauty of the song.....illaiyaraja once again proves why he alone can deliver such a song with substance. Even though it has been reused in the "Naan Kadavul" Film - the original version sung by Raja was class apart - with more meaningful / insightful rendition. Thanks Bhagwan Ramana Maharishi for bringing out a masterpiece from IR. பிச்சை பாத்திரம் ஏந்தி வந்தேன் ஐயனே என் ஐயனே யாம் ஒரு, பிச்சை பாத்திரம் ஏந்தி வந்தேன் ஐயனே என் ஐயனே பிண்டம் என்னும், எலும்போடு சதை நரம்பு உதிரமும் அடங்கிய உடம்பு எனும் பிச்சை பாத்திரம் ஏந்தி வந்தேன் ஐயனே என் ஐயனே பிண்டம் என்னும், எலும்போடு சதை நரம்பு உதிரமும் அடங்கிய உடம்பு எனும் பிச்சை பாத்திரம் ஏந்தி வந்தேன் ஐயனே என் ஐயனே அம்மையும் அப்பனும் தந்ததா இல்லை ஆதியின் வல்வினை சூழ்ந்ததா அம்மையும் அப்பனும் தந்தடதா இல்லை ஆதியின் வால் வினை சூழ்ந்ததா இம்மையை நான் அறியாததா இம்மையை நான் அறியாததா சிறு பொம்மையின் நிலையினில் உண்மையை உணர்ந்திட பிச்சை பாத்திரம் ஏந்தி வந்தேன் ஐயனே என்

Ayirathil Oruvan to Vengayin Mainthan

I always loved SelvaRaghavan movies and in particular the movie Ayirathil Oruvan (Referred hereafter as AO) was my favorite of SelvaR. AO had a fantastic story in place where a group of people scouting for missing people in a remote island eventually landing up the island to meet the Chola tribe. I would request the reader to watch the movie from here to understand it better in case you had watched it. To cut the story short, after watching AO - the impact of lost Chola tribe reminded me of Lankan Tamils (with Reema resembling the Madam...Parthiban - the Savior/leader of the tribe...resembles whom...u would got it by now...and with army resembling IPKF). On top of this whenever a Lankan ethnic crisis discussion appears....there was a question lingering on the mind... as such who are the real sons of soil - was it people from Mahinda dynasty / Cholas from TN ?...as If I can recollect only after the Kalinga Battle and influence of Ashoka...Buddhism had its roots in Lanka. From Movie

Mr ChandraMouli....

If at all there is an evergreen character which I (many would have) loved in Tamil Cinema, it would be Manohar (Karthik's Character in Mouna Raagam). This scene is evergreen scene and nobody could have performed better than Karthik Muthuraman. The highlights of the scene was when Karthik innocently asks the name of the Revathi's Father and one particular dialogue which blew me was "Irumma Sir kitta Pesittu Irukenla"...is ultimate... I wish there are many more loveable characters like manohar in future... ~Lakshman

Bottle-tharangam....

I used to be curious about the music which comes from our own jalatharangam - particularly from Mr Ananyampatti S Ganesan, which is an undisputed master in the art. It needs greater knowledge to have the cups of different sizes, Water levels etc to play a song... I came across a similar guy who played with bottles with skates, which i saw through You-tube. I was just wondering how it would be if somebody can play a keerthana similarly ?.. ~Lakshman

Where were you all these days Kuntalavarali ??....

The first time, if at all I do remember, I heard this Raaga in Trichy when a girl played a beautifully krithi on her veena in one of the competitions and I came to know from her that that was of a Raaga Kuntalavarali. That was my first crush for Kuntalavarali....probably like many a love story ours ended there without much fanfare. Last evening I was listening to Ganesha Pancharatnam by MS Amma and the fourth stanza of the song rang bells to me again after so many years. Its the same Kuntalavarali which I missed for so many years...listen to the 4th stanza of this song, you would love the raaga (for people who can't appreciate the beauty just listen to the tune...its an absolute gem of a rendition)... watch out for these lyrics: Akimchanaarti Marjanam Chirantanokti Bhaajanam Puraari Poorva Nandanam Suraari Garva Charvanam Prapancha Naasha Bheeshanam Dhananjayaadi Bhushanam Kapola Daana Vaaranam Bhajaey Puraana Vaaranam. This video has lots of Ganesha Idols (which I adore and the be

Consumer Service in India - Part 1

I had listed out the pathetic instance of consumer service in India. Many a time, we as such we never care of Consumer Rights and we are being taken for granted. Telecom Revolution in India has come in a big way, but the way Telecom companies do work in a sh*tty way. The Following are the excerpts of my letter to nodal officer of karnataka (when i was in Bangalore and this letter contains few derogatory references to the company and the way they treat their customers. If you kick few asses in India, things get done. I would encourage all people to write to their bosses, in blogs, to media to promote consumer awareness so that we don't we don't get shitty customer service. You have every right to screw them as they do if we don't pay. The moral of the story - Screw them. Madam R, I have just got your details from the Airtel website and if you ask me, i can publish reams of grievance and concerns about the poor customer care standards maintained by Airtel India. This is not

Akashe Jyotsna.....

I had read this poem after watching Hey Ram and forgot to capture the beauty of the lyrics written by Jibonanda Das, probably mesmerised by the piano recital composed by Illayaraja (I am not sure whether it was stephen devasi who played the piece for IRaja - Nee partha paravaikku or Nandri...) The original lines of the bengali poem is described here (which was recited by Rani Mukherjee in the film)... Akashe jyotsna Phuler pathe chita baagher gayer karam Hridoy amar horin jano Ratrer ei niraboder bhetor, kondike cholechi? Rupali paatar chaya amar shorire Kothao kono horin neyi Aar joto door jaayee, kaashter moton banka chaand Shesh shonale horin, shorsho khete niyeche jano Taar par dhire dhire dube jaache Shata shata mrigedaar choker ghumer andhokaarer bhetor The translation goes here.... Moonlight in the sky On the Forest Trail the Scent of the Leopard My Heart is like Deer In the Silence of this night, which way am I going? The silvery shadow of leaves on my body No more deer anywher

Great Indian Tamasha - Elections 2009..

Voter's Paradox - I always have this guilt feeling of choosing the best of the worst leaders as my candidate representing my constituency (which means i haven't chosen the right one anyway). If i fail to choose the one among the worst, I have another feeling of guilt, which reminds that i haven't even chosen the candidate (whether the right one / wrong) to do good. I am not sure how to answer this paradox. If some intelligent person convinces me and tells me that "Arey ! you have to vote for the right candidate, say XYZ, what is the chance of my vote contributing to his win, when somebody offers free television sets, other ones offers 2Rs / kilo Rice, another idiot offers 25 kg of wheat..burning the exchequerer. My next question would be - Is there any way to canvass / convince all my voters in My constituency to vote for the right candidate, so that my vote/right to franchise picks the right candidate - to do good for the people. I neither have the money / muscle powe

Classic Nuances of Test Cricket...

I always have a fascination for Test cricket compared to ODIs / T20s as they are not for the mass (or) a mundane crowd. To watch test cricket, to understand the nuances of Test Cricket, you need to fair amount of cricketing knowledge to understand the Climatic conditions, New ball funda, Grass on the wicket, Seam positions, Shuffling Batting Orders, Pace of the Cricket etc. Most of my words in the previous paragraphs may not mean much to Modern ODI watchers particularly in television sets. VVS Laxman's innings / just a leaning drive on the backfoot on Napier Test is more on the lines of a camera angles of a Kurosawa movie, a neraval in a song by MS in a Kutcheri. I am pretty amazed by anybody who talks to me/anybody on Cricket, that a particular XYZ should have played this way (or) the other. To me playing, Observing Cricket in itself is an art. I would love to follow VVS/Azhar's Ondrive/flick with their wrists as much as a piece in synchronised swimming / dancing on the skates